{"id":2185,"date":"2017-12-21T16:38:21","date_gmt":"2017-12-21T16:38:21","guid":{"rendered":"\/blog\/?p=2185"},"modified":"2018-09-21T14:11:40","modified_gmt":"2018-09-21T14:11:40","slug":"inclusivity-in-design-2017","status":"publish","type":"post","link":"https:\/\/www.lemonade.com\/blog\/inclusivity-in-design-2017\/","title":{"rendered":"Moving The Needle: Inclusivity In\u00a0Design"},"content":{"rendered":"

2017 was a year defined by people leaning in. It was marked by debate on diversity<\/a>, inclusivity<\/a>, and sexism<\/a>, from the sterile halls of Silicon Valley to the studios of the entertainment industry, and across the political spectrum.<\/p>\n

So, what does this have to do with design? Everything, really.<\/p>\n

Design is a reflection of our society and an indicator of where we are as a culture. What we see from brands in magazines, on our Facebook feeds, and on websites, often mirrors the world in which we live.<\/p>\n

That\u2019s also why design has the power to<\/strong> inform<\/strong>.<\/p>\n

Remember the controversy around Facebook\u2019s friends icon<\/a>? A woman standing in the shadow of her male counterpart? Caitlin Winner, the Facebook designer responsible for the redesign explained,<\/p>\n

\u201cAs a woman, educated at a women\u2019s college, it was hard not to read into the symbolism of the current icon; the woman was quite literally in the shadow of the man, she was not in a position to lean\u00a0in.\u201d<\/p><\/blockquote>\n

<\/figure>\n
\"Facebook

Facebook friends icon redesign by Caitlin Winner<\/p><\/div>\n

On the decision to use a \u201cbrown hand\u201d in Slack\u2019s \u201cAdd to Slack<\/a>\u201d update, designer Di\u00f3genes Brito wrote<\/a>:<\/p>\n

\u201cWhy was the choice an important one, and why did it matter to the people of color who saw it? The simple answer is that they rarely see something like that. These people saw the image and immediately noticed how unusual it was. They were appreciative of being represented in a world where American media has the bad habit of portraying white people as the default, and everyone else as deviations from the\u00a0norm.\u201d<\/p><\/blockquote>\n

<\/figure>\n
\"\u201cAdd

\u201cAdd to Slack\u201d concept by Di\u00f3genes Brito<\/p><\/div>\n

This past year, illustrator Alice Lee released her views on the project of creating WordPress.com\u2019s brand illustrations and her journey to \u201cdemocratize publishing\u201d in the aptly titled, Inclusiveness in Illustration<\/a>.<\/p>\n

She outlined a design system embracing the full spectrum of real<\/em> people interacting with a global product; a process that included discussions on subjects such as body type and how to design for gender fluidity.<\/p>\n

\u201cSo, how can inclusion and representation be expressed through character design and illustration voice? When you begin with these principles as cornerstones of your brand, rather than tacking them on at the end, they manifest in the design process in straightforward and thoughtful ways.\u201d<\/p><\/blockquote>\n

<\/figure>\n
\"Wordpress

Inclusiveness in illustration, by Alice Lee<\/p><\/div>\n

Other interesting initiatives were pursued on the organizational level by major companies proactively creating inclusive teams, processes,\u00a0and methodologies: Airbnb launched a toolkit<\/a> for designing inclusive experiences while Microsoft announced a framework<\/a> for Inclusiveness in Design.<\/p>\n

<\/figure>\n
\"Inclusive

Inclusive Design at Microsoft<\/p><\/div>\n

Yet, despite these advances, it\u2019s clear our mirrors still reflect a homogenous digital environment.<\/p>\n

Some point to lack of diversity in design (see: AIGA\u2019s design census<\/a>, or Ekene Ijeoma\u2019s project, \u201cThe Ethnic Filter<\/a>\u201d ) while others may point to leadership within organizations. Even designers that would like to implement more inclusive materials run into barriers \u2014 creating high-quality custom content is expensive (really expensive!), and sourcing images that aren\u2019t overwhelmingly white is pretty difficult.<\/p>\n

So what does this mean for the state of design in society? We\u2019d like to think that the progress already made by designers like Caillin, Di\u00f3genes, Ekene, and Alice, combined with the fever pitch in the discussion around these issues, served as a wakeup call to our community. Early indications are positive.<\/p>\n

The most interesting trend we\u2019ve observed this past year, examining some of the biggest brand updates and redesigns in 2017, is an increase in the use of illustration in web design in what we\u2019d like to think (or hope) is in the pursuit of greater diversity and inclusion.<\/p>\n

Here\u2019s a deeper look at the brands putting inclusivity front and center:<\/p>\n

1. Asana<\/h3>\n
<\/figure>\n
\"Asana

Illustration by Nick Slater, Design by Zach Miller & Matt Riley<\/p><\/div>\n

While Asana\u2019s major rebrand<\/a> happened back in 2015, they\u2019ve been quietly rolling out a new marketing site (and ads framework<\/a>) over the past year. We\u2019re seeing greater use of white space, a more subdued color palette, and forward-thinking editorial-style illustration in highlighting product use cases.<\/p>\n

2. Slack<\/h3>\n
<\/figure>\n
\"Slack

Illustration by Alice Lee, Art direction from Brandon Velestuk & Kristy Tillman<\/p><\/div>\n

Arguably one of the most-hyped redesigns of the year was Slack. In collaboration with Ueno<\/a>, the Slack design team and illustrator, Alice Lee<\/a>, were able to create a concise, engaging, inclusive experience that directly speaks to their mission of creating alignment and shared understanding across your team, making you more productive, less stressed, and just a little bit happier.<\/p>\n

3. Headspace<\/h3>\n
<\/figure>\n
\"Headspace

Design & Illustration by Chris Markland, Art direction by Anna Charity<\/p><\/div>\n

This redesign was one of the most significant and extensive we\u2019ve seen so far in 2017. The visual language that they developed is fresh, charming, invigorating, succinct, and unique. Moreover, it\u2019s inclusive, representative of a range of people from all walks of life.<\/p>\n

We loved their soothing color palette, flat illustration style and subtle use of parallax scrolling on their marketing homepage bringing their whole imaginary world to life.<\/p>\n

4. Gusto<\/h3>\n
<\/figure>\n
\"Gusto

Illustration by Camellia Neri, Design by Natalie Schoch<\/p><\/div>\n

Gusto unveiled their brand new marketing site back in September. The result was a 180 departure from an image-centric hero section and heavy use of the grid.<\/p>\n

White space, larger fonts, less text, and beautiful illustrations, characterize their their new look and feel. The site is sprinkled with thoughtful, tasteful nods to the diversity found amongst small business owners and highlights their mission of empowering a better life.<\/p>\n

5. Evernote<\/h3>\n
<\/figure>\n
\"Evernote

Illustrations by Carlos Rocafort<\/p><\/div>\n

While the biggest news around Evernote in terms of design was their iOS update, another under-the-radar update was a pretty big shift in the visual language and layout of their marketing website. The \u201cclean\u201d aesthetic of the app is clearly visible on the page which almost mimics a black page with notes in terms of style.<\/p>\n

The illustration work is not only beautiful and diverse, but it\u2019s also functional, serving as the vehicle for short marketing movies. Everything about this refresh makes more sense in terms of telling the Evernote story of having your best ideas always with you and always in sync.<\/p>\n

A few other examples of illustration in web design highlighting inclusivity that stood out in\u00a02017:<\/h3>\n
\"Lattice

Lattice<\/p><\/div>\n

\"Stride

Stride<\/p><\/div>\n

\"Kinsta

Kinsta<\/p><\/div>\n

\"US

US Mobile<\/p><\/div>\n

<\/figcaption><\/figure>\n

What to expect in 2018? More inclusivity in visual communication and user experience<\/h3>\n

The way in which we view the world isn\u2019t simply inherited nor is it static – it\u2019s something that develops and evolves over time, affected by our choices each and every day.<\/p>\n

Years like this – where biases are put front and center serve as a reminder for us to check in and evaluate our own personal lens to become more inclusive and accepting.<\/p>\n

\u201cGoing forward, it won\u2019t be enough to design for some people, or even for most. The real challenge will be to design for all\u201d (Co.Design<\/a>)<\/p><\/blockquote>\n

2017, for better or for worse, certainly served as an awakening to us all.<\/p>\n","protected":false},"excerpt":{"rendered":"

A look at how illustration played a major role in 2017\u2019s biggest redesigns.<\/p>\n","protected":false},"author":20,"featured_media":2197,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"puppies_section":[],"class_list":{"0":"post-2185","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-transparency","8":"post-hentry"},"acf":[],"yoast_head":"\nMoving the Needle: Inclusivity in\u00a0Design<\/title>\n<meta name=\"description\" content=\"2017 was marked by debate on diversity, inclusivity, and sexism, from the sterile halls of Silicon Valley to the studios of the entertainment industry. So, what does this have to do with design? Everything, really. 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